I shot this Ford GT a couple of weeks ago using a technique called light painting. Basically, we just walk around the car shining a light at it. There is a lot of trial and error, as well as a fair bit of serendipity. Frankly, it would be difficult to get a really bad photograph of this amazing car. It has a tricked out 800 horse power engine, custom wheels, bumper kit and an awesome paint job. Leave a comment and let me know what you think.
Automobile
More Charger Hellcat
This is another in the series of photographs of the Custom Charger Hellcat. My client wanted an extremely low angle from the front. It was necessary to raise the car onto apple boxes to get the camera low enough. The low angle and the flaring headlights add intensity. Let me know what you think.
Automotive Detail Photography
While the big picture is important, details are often more interesting. The 700 plus horsepower engine in this customized Dodge Challenger Hellcat is one of those details. Sometimes it’s a spoiler, or wheels. They are as much fun to shoot and arguably as important as the big picture. As always, I’m interested in your thoughts an comments.
Custom Charger Hellcat
This customized Hellcat is a beast! Black cars are great looking, but they are a bear to photograph. You can’t make them black or they won’t have any shape. So they have to be gray, but look black, and shiny. It’s the challenges that keep this profession fun.
Automotive Studio Photography
Finding the best angle for a particular car is an impossibility. Best angle for what? Best to display what the designer was thinking? Or best at telling the story that it’s a zoomy exciting car, or a practical safe family car? You get the Idea. Where you stand and where you point has a huge impact on what a photograph says. It’s one of the best lessons I learned from Walter Farynk when I was in school. As always, I’m interested in hearing your thoughts and comments.
Car Photography
Recently I had the opportunity to photograph a customized Impala. Silver is one of the easier car colors to light. All the breaks and shapes in the sheet metal almost define themselves. They added 6 inches to the back seat for a little more leg room. The grill was heavily modified too. More to come! As always I am interested in your thoughts.
Outlaw Mustang
I recently had the opportunity to photograph an Outlaw Mustang. Black cars are challenging to shoot, but that makes it more fun. Defining the complex shapes of a shiny car with light and reflection is only part of the goal. It’s also necessary to evoke an emotional response. This story is about how the chin spoiler, rocker sills, low profile rear spoiler and lots of other enhancements make it loads better! Let me know what you think!
Muscle Car Photography
I had the opportunity to photograph a 66 Mustang recently. I love red cars! You could tell that this is Barry’s (the owner's) baby. He called it a “driving car, not a show car”, and he drives it all over! It was a blast to photograph. This is the first of a few shots. Let me know what you think.
Automotive Wheel Photography
One of the really great things about living in the Detroit area, is the automotive industry. It’s not just the car companies, but all of their suppliers and the aftermarket companies too. Customizing our cars for style, speed or utility is an American tradition. I can remember looking through JC Whitney catalogs before I could drive. Wheels, tires, bed liners, roof racks, sun roofs, towing packages, the list goes on and on.
An entrepreneur has a passion for racing wheels, and I get to help promote them. These are racing wheels, not ordinary cast aluminum, but three individual pieces bolted together. Photographing shiny products is always fun and challenging. As always, let me know what you think.
Automotive Photography
Automotive Photography in the studio is a blast. We completed a project for Goodyear recently that went quite well. Part of the project was photography for their library. This F150 is a big vehicle, but it easily fit in our 4000 square foot. studio. We used the teamwork/tag team approach on this project too. It’s all about delivering the best image possible with the least friction. After we completed the main shot for each car, I did the additional shots. I am always interested in your thoughts.
Commercial Photography
One of the really great things about being a commercial photographer is the glimpse we get into processes or industries that normally go unnoticed. We did a shoot for a company that makes, among other things, speaker grills for cars. As we shot, our client explained why his product is superior to his competitors’. This is not only interesting, but helps us highlight or emphasize the important features or manufacturing processes.
I suppose you could call this industrial photography. It is for business to business communication. It is as likely to be used in a powerpoint presentation as in a trade show, trade ad, brochure or web site. The key point is that our images help clients communicate their story more effectively and help enhance their overall image.
Product Photography in a Car
My assignment was photographing coffee cups, and what more natural place than a cup holder! I have shot cup holders for other clients, so it was not much of a stretch. Of course we shot them in table top situations too, but I feel at home when I'm shooting in a car. As always, I'm interested in your thoughts.