Workflow

Alfred Helps Me Get Things Done

I started using Alfred about a year ago. It’s a productivity app for OS X, and it makes my time at the computer much more productive. It does way more than just launch apps; It has a clipboard manager that allows you to see and use things you’ve previously copied to the clipboard. Sadly, it’s text only, so it does not work in Photoshop. It does lots more too, but I’ll get to that in a bit. It all starts with a key combination that brings up a search box.Apple Productivity AppThe default combination is command-space. I use that in Photoshop, so I use Shift-Control-Option-Space. I sounds more awkward than it is. You type in a letter or two, it learns your preferences, and a list pops up. When the application you want to launch is at the top of the list, just hit return, and bingo! In the screen shot, P selects Photoshop. But if I typed a “d”,  PDF Pen would be on top. Similarly, documents can be opened by first typing a space, then the letters of the file name.photoshopThe clipboard history appears with the key combination Command-Option-C. You then see a list of the things that have been in your clipboard. Very handy!Finally, there are workflows. Too complex to go into here, and frankly I don’t use them much, but they are very powerful. There is a free version, and you can get the PowerPack upgrade that adds more features. There is a Mac Power Users podcast about it with lots of info and links to more info. If you try it, let me know how it works for you.

Calendars!

iPhone Calendar App

You can't do great photography if you can't remember your schedule. I depend heavily on my calendar to keep me punctual.  I just found a calendar app for my iPhone that’s fantastic! I have been using Calvetica for a year or more. It makes entering events super easy, but seeing what’s coming up is where it falls down for me. Fantastical’s interface is amazing. See events for today, what’s coming up and a whole month at a time. Then, touch the top bar and you are instantly back to today. I tried their Mac application, but I’ve settled on BusyCal. Just a better interface than Apple’s Calendar App. As always, I’m interested in your thoughts.

Your Hard Drive Will Fail, Back-Up your Photography!

In the digital age, there is a truism that warrants our attention; it is not if your hard drive will fail, it’s when. I have had several hard drives fail; I know that it is true. It is crazy expensive to get Drive Savers, or some other company to rescue your data. So, back-ups are important. A back-up strategy that fully protects you must have several components.

  1. Provide a means to continue working if your computer’s hard drive fails.
  2. Keep a back-up of current projects.
  3. Keep multiple archives of completed projects.
  4. Must be automatic. (so you cannot forget to do it).
  5. It must have an off site component (in case of fire or theft).
  6. There must be multiple copies.
  7. You’ve gotta check regularly to make sure it’s working.

The computer on my desk, backs-up to a local (firewire 800) hard drive using Time Machine and Carbon Copy Cloner. The Time Machine backup provides hourly back-ups while the Carbon Copy Cloner back-up provides a start-up disk should anything happen to the internal hard drive.I have divided our data into two separate parts, business data – QuickBooks, estimates, word processing files and the like, and job data – project folders, images and Capture One folders. We use a server, well..., it’s a computer with a boatload of drives hanging off of it where all of this data lives. The business data is backed-up with Time Machine hourly, and with CrashPlan, a cloud back-up service. Job data gets backed-up at the end of every day with a program cleverly called Data Backup. I like Data Backup because it does versioned back-ups, and keeps versions from the last 30 days. It uses standard compression utilities to compress files, and if it is the most recent version you are looking for, you can just go get it using the finder.When a project is completed, it is copied to an archive drive, and removed from the working drive. The archive drives are read only so nothing can be inadvertently changed or deleted.Once a month, I bring hard disks from home and copy all of the new data to them, again with Data Backup, then take them home.It sounds like a lot of work, but most of it happens with no supervision. It is, I believe just part of taking care of your clients and you livelihood.  As always, I am interested in what you think about all of this. Please leave a comment.

Advertising Photography Tools

Commercial Industrial Photographer Tom Kirby

I just discovered a feature in Capture One that simplifies post production - smart albums! Typically during a shoot, I’ll mark photographs that I want to deliver to my client by pressing the minus key. This marks the photograph with the red color tag. Later, when I want to process the images, I sort by “color tag”, and all of the marked photographs are together at the top. This makes it easy to work on the selected images, adjusting and processing them all at once. On shoots with a large number of captures, I’ll create multiple capture folders. Capture One tends to slow down when you get several hundred captures in a folder; I think it’s actually because of the system software. In any event, I end up with a bunch of capture folders with marked images. In the past, I would move the marked images to a “selects” folder, where I could work on them all together. Now, I can create a smart album that works much like smart folders in OS X. I can select images using a large array of criteria including color tags. It’s a virtual folder, so the files are not actually moved. Now I can work on groups of images without moving them. This makes it easer to go back and look at selected images, change my mind, remove or add selects, and see them with others shot at the same time. This is going to save me a lot of time!

Automotive Parts Photography

Digital WorkFlow

Film was Simpler, but Harder

Back when I shot on film, everything was on transparencies. That made photography more difficult - an unforgiving medium. There was little recourse if highlights were burned out, shadows too deep or color was off. Still, you work with what you’ve got. I learned to pre-visualize, shoot Polaroids, do color balance tests before the shoot, and when the budget allowed, I’d wait for film. On the other hand, when I handed over the film, I was finished.Now, I am further into the workflow. This gives me way more flexibility to adjust, after the shoot, color, contrast, and exposure. Often I do the retouching, and deliver color corrected tiffs. Then I archive the job in case the files are needed again. I thought it might be interesting to share the process in more detail.

The shoot

Because this is about the workflow, I’ll ignore all of the pre-production and jump right to the shoot. I almost always shoot tethered. I like the knowledge that I’ve got it, without any waiting. It also gives clients a preview of what they’re getting. The laptop screen is calibrated with Eye-One (made by x-rite) so I’m pretty sure I’ve got the color right to start.Capture one Screen Shot I shoot with Capture One software, because I’ve got a Phase One back, and it works very well with our Canons too. Apart from doing an excellent job processing RAW files, one of the things I like about Capture one is that it creates a folder structure for every job. A session folder contains a capture folder, a trash folder, and an output folder.

After the Shoot

After the shoot, I simply copy this folder to the “job” drive on our server. I am then able to work off the server to make all the adjustments to the captured images and process them to make tiffs. If I’m doing the retouching, I’ll use Photoshop (big surprise) and create new folders inside the session folder that contains all of the files I’re working on. This keeps all the files for a each project together and organized. The server automatically backs this drive up to an external hard drive every night. The nightly backup keeps versions of the files for 30 days, so it’s possible to go back to get older versions of files, or deleted files if necessary. After the retouching is completed, and the job is delivered, the job folder is copied to an archive drive, also on the server. Once a month, I duplicate everything on to a yet another hard drive and take it home for safe keeping. So I have several terabytes of online archives of old jobs with a back-up off-site in case of drive failure or natural disaster.

Automotive Advertising Photography

Dave shot the Landscape it's stripped into. Teamwork is everything.I’d love to hear what you think or about your workflow.